Auditions
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On The Line: In Concert - Non-Equity video submissions
Seeking: See Breakdown Below. Submission instruction: Submit your resume, headshot, and 32 bars of your choice of contemporary musical theatre song to casting@rubbercitytheatre.com. Please also indicate in your experience in your email: 1. Comfort in sight reading 2. Experience in choral/acapella 3. Singing in harmony Personnel: Submission will be viewed by: Dane CT Leasure (He/Him/His) - Executive Artistic Director/Director Anthony Trifiletti (He/Him/His) - Music Director Amy Burgess(She/Her/Hers) - Co-Writer/Composer Rachel Dean (She/Her/Hers) - Co-Writer/Composer Dates: Please submit materials by May 12. Casting decisions will be made by May 14. Rehearsals begin May 31 (6:30pm-10:00pm)-June 4. June 5th Performances at 2:30pm and 7:30pm. Performances and rehearsals will take place outdoors. Rehearsals will take place at Rubber City Theatre, 243 Furnace Street Akron, OH 44304. Performance location TBA. Contract: Non-Union stipend $100 for the week. No EMC point available for this production. Intimacy: Adhering to AEA protocols and company safety, we will not have any moments of intimacy or touching. OTHER Show pending Equity health and safety approval. We are working with AEA on the vaccine guidelines and are working to have all persons in the production vaccinated. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit. |
Available Roles:
Nick Butz (30s) - Bumbling clarinet player and bandleader of the truly awful but always dogged Four F’s. Always looking for gigs, always underemployed, and potentially the least talented member of the group, he’s perhaps best defined by his hapless determination and obsession with his hair. Frances/Film Crew (30s) - Frances - a member of the Four F’s, and a sometimes composer/songwriter for the band. Finn (drag)/Factory Girl (Mary)/Film Crew (drag) (woman) (20s) -Finn - a member of the Four F’s; Mary - a bit of a busybody, but a well-meaning one. Factory Girl (Margie)/Party Guest (20-40) - Margie - Doesn’t talk much, but doesn’t need to - she is incredibly skilled at her work, and communicates only what and when she needs to. Factory Girl (Elaine)/Fairy/Party Guest (20s-30s) - Elaine - A self-styled realist, though others might say pessimist. Efficient at her job, and a valuable team member. Factory Girl (Betty)/Fairy/Party Guest (20s) - Betty - Smart and analytical, but new to the job at the factory and prone to mistakes. She tends to cower before authority. Factory Girl (Ruth)/Fairy/Party Guest (20s-30s) - Ruth - Optimistic, and often a source of wartime information for the other factory workers, since her brother is on or near the front lines. Factory Girl (Jean) /Fairy/Party Guest (20s-30s) - Jean - A bit nosy, a bit talkative, and overall supportive of the other girls on the line and hopeful for the war’s end. |
A Note on Casting Notices:
In reference to the character descriptions - most characters we encounter currently are on the binary and are written with the he/him or she/her pronouns and you will see that are in the following descriptions. But, however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender, non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. As an ADA compliant theatre, we welcome performers of all abilities and will make all reasonable accommodations in order to cast performers, regardless of disability, in any role possible. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide. (Language developed by Kevin Kantor and Emily Tarquin from the Actors Theatre of Louisville).
In reference to the character descriptions - most characters we encounter currently are on the binary and are written with the he/him or she/her pronouns and you will see that are in the following descriptions. But, however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender, non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. As an ADA compliant theatre, we welcome performers of all abilities and will make all reasonable accommodations in order to cast performers, regardless of disability, in any role possible. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide. (Language developed by Kevin Kantor and Emily Tarquin from the Actors Theatre of Louisville).
Design Openings
Rubber City Theatre, Akron’s only Equity Theatre, is searching for designers for productions in its 2021 season of world premieres. RCT is looking for inspired professionals to join their productions as a Costume Designer, Sound Designer, or Lighting Designer. Duties for each of the following are listed below. Applicants should be within the Northeast Ohio region and willing to drive to the theatre space for necessary rehearsals during the production period. Designers should be comfortable working with IATSE Union crews throughout the process. All interested personnel please email our Director of Artistic Operations, Brian C. Seckfort at Production@rubbercitytheatre.com and include a resume, portfolio, and website if applicable, also include in the subject what position you are interested in. These are paid positions and can open to future designs with the emerging company! For more information on our current season and company visit our website rubbercitytheatre.com.
Costume Designer
1. To provide a costume plot and complete sketches or representations necessary for execution of costumes and to design, select or approve all accessories.
2. To supply color schemes/sketches or outline sketches with examples of materials for each costume including ornaments and detail.
3. To design, select or coordinate all contemporary costumes, including selections from the performer’s personal wardrobe when necessary.
4. Select appropriate costumes from stock, rental or other resources and coordinate their adaptation for the production.
5. To supply specifications for competitive bids for costume shops or other suppliers mutually satisfactory to the Producer and the Costume Designer.
6. To supply specifications for the shop to make, sew, construct/and or paint costumes and costume accessories.
7. To oversee the fittings and attend appropriate rehearsals.
8. To approve hairstyles and/or select of wigs, hairpieces, mustaches, beards, prosthetics and special make-up.
9. To attend the rehearsals as necessary to design the production.
10. Respect the physical property of the production and RCT.
Costume Design for Play (up to 10 actors) $750.00; Costume Design for a Play (more than 10 actors) or Musical $1,000.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
Sound Designer
1. To provide all designs for pre-recorded music and or sound effects and enhancement of “live” voices, musical instruments and sound elements.
2. To provide technical drawings and specifications as required for the production.
3. To design a sound delivery system that will properly execute the needs of the production.
4. To attend the dress rehearsals and coordinate the sound rehearsals therefore.
5. To supply specifications for competitive bids for sound equipment and studio time from suppliers mutually satisfactory to the Producer and the Sound Designer.
6. To coordinate the installation of the sound delivery system and the setting of the sound cues.
7. Respect the physical property of the production and RCT.
Sound Design for a Play $500.00; Sound Design for a Musical $750.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
Lighting Designer
1. To provide full lighting equipment lists and a light plot drawn to scale from Scenic Design and theatre drawings provided by Producer.
2. To provide color, hook-up plots and instrument schedule including all information required for the realization of the design.
3. To coordinate and plot special lighting effects.
4. To supply specifications for competitive bids for lighting and special effects suppliers mutually satisfactory to the Producer and the Lighting Designer.
5. To oversee focusing of the lighting equipment and setting of lighting cues.
6. To attend the rehearsals as necessary to design the production and to conduct the lighting rehearsals.
7. Respect the physical property of the production and RCT.
Lighting Design for a Play $500.00; Lighting Design for a Musical $750.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
Costume Designer
1. To provide a costume plot and complete sketches or representations necessary for execution of costumes and to design, select or approve all accessories.
2. To supply color schemes/sketches or outline sketches with examples of materials for each costume including ornaments and detail.
3. To design, select or coordinate all contemporary costumes, including selections from the performer’s personal wardrobe when necessary.
4. Select appropriate costumes from stock, rental or other resources and coordinate their adaptation for the production.
5. To supply specifications for competitive bids for costume shops or other suppliers mutually satisfactory to the Producer and the Costume Designer.
6. To supply specifications for the shop to make, sew, construct/and or paint costumes and costume accessories.
7. To oversee the fittings and attend appropriate rehearsals.
8. To approve hairstyles and/or select of wigs, hairpieces, mustaches, beards, prosthetics and special make-up.
9. To attend the rehearsals as necessary to design the production.
10. Respect the physical property of the production and RCT.
Costume Design for Play (up to 10 actors) $750.00; Costume Design for a Play (more than 10 actors) or Musical $1,000.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
Sound Designer
1. To provide all designs for pre-recorded music and or sound effects and enhancement of “live” voices, musical instruments and sound elements.
2. To provide technical drawings and specifications as required for the production.
3. To design a sound delivery system that will properly execute the needs of the production.
4. To attend the dress rehearsals and coordinate the sound rehearsals therefore.
5. To supply specifications for competitive bids for sound equipment and studio time from suppliers mutually satisfactory to the Producer and the Sound Designer.
6. To coordinate the installation of the sound delivery system and the setting of the sound cues.
7. Respect the physical property of the production and RCT.
Sound Design for a Play $500.00; Sound Design for a Musical $750.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
Lighting Designer
1. To provide full lighting equipment lists and a light plot drawn to scale from Scenic Design and theatre drawings provided by Producer.
2. To provide color, hook-up plots and instrument schedule including all information required for the realization of the design.
3. To coordinate and plot special lighting effects.
4. To supply specifications for competitive bids for lighting and special effects suppliers mutually satisfactory to the Producer and the Lighting Designer.
5. To oversee focusing of the lighting equipment and setting of lighting cues.
6. To attend the rehearsals as necessary to design the production and to conduct the lighting rehearsals.
7. Respect the physical property of the production and RCT.
Lighting Design for a Play $500.00; Lighting Design for a Musical $750.00 (1/2 paid after 2nd design meeting, 1/2 paid after Opening of show)
EMPLOYMENT
No Opportunities at this time.
Volunteer With Us!We are looking for a strong group of volunteers to help usher at our performances. If you are interested please fill out the form and we will get back to you soon!
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